Okinawa-kenpo is a karate style which has been developed based on ancient Okinawan martial arts called "Ti". Its technique and thought were studied and refined by a Tomari-te master, Shinkichi Kuniyoshi (also known as "BUSHI" Kuniyoshi) and passed down to Grand Master Shigeru Nakamura, the founder of Okinawa-kenpo. Grand Master Nakamura opened his own dojo "Okinawa-kenpo Karate-do Shurenjo" at Onaka, Nago city and taught his art of karate.
Written in Japanese.
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Use "biting" guitar tones or distorted synth leads to mimic the "metal" aspect.
A slow, grinding "sludge" tempo or a driving, repetitive beat can evoke the feeling of something being hammered in. 2. Composition Strategies
Create singable melodies on the guitar or synth. Even without lyrics, a strong motif gives the listener something to hold onto.
To live up to the name "Rusty Nail," the music should reflect the qualities of the object: metallic, aged, sharp, and perhaps a bit dangerous.
Use tools like LANDR or PhonicMind to isolate the backing tracks from the vocals.
Ensure the song has a clear beginning, middle, and end. You can start "clean" and gradually add distortion (the "rust") as the track progresses.
If you're building from scratch, Cubase or similar software allows you to layer "Lego blocks" of sound to find the right direction.
Old style karate techniques and training methods still remain in our system. We train with those methods, which are rarely seen in other Ryuha these days.
Tanren-hou (Training method)
Okinawa-sumo (traditional Okinawan wrestling)
Torite (grabbing)
Buki-jutsu (weapons)
Our techniques, from empty hands to weapons,are incorporated in a coherent system and consist of common basic skills.
Historically, Okinawa-kenpo inherited various Kata.
The following is a list of kata which are practiced at Okinawa-kenpo Karate-do, Oki-ken-kai
Karate
Weapons
Use "biting" guitar tones or distorted synth leads to mimic the "metal" aspect.
A slow, grinding "sludge" tempo or a driving, repetitive beat can evoke the feeling of something being hammered in. 2. Composition Strategies
Create singable melodies on the guitar or synth. Even without lyrics, a strong motif gives the listener something to hold onto.
To live up to the name "Rusty Nail," the music should reflect the qualities of the object: metallic, aged, sharp, and perhaps a bit dangerous.
Use tools like LANDR or PhonicMind to isolate the backing tracks from the vocals.
Ensure the song has a clear beginning, middle, and end. You can start "clean" and gradually add distortion (the "rust") as the track progresses.
If you're building from scratch, Cubase or similar software allows you to layer "Lego blocks" of sound to find the right direction.
We, Okinawa-kenpo Karate-do Oki-Ken-Kai, work on in a unit called "Keiko-kai".
is a group of like-minded people to practice Okinawa-kenpo any time and anywhere.
Today, there are Keiko-kai in eight region Japan;
Shihan Yamashiro visits each Keiko-kai regularly, trains them, and conducts open seminars.



Shihan Yamashiro has been invited by masters of other styles, and conducted seminars regularly.



He started practicing karate when he was little with his father, Tatsuo Yamashiro, who inherited "Ti" from Hiroshi Miyazato.
He won 1st place at "All Okinawa Full Contact Fighting with Bogu Gear Tournament" in 1992 and 1993,
Written in Japanese.
Japanese fonts required to view this contents