Heyday: The 1850s And The Dawn Of | The Global Ag...
Словарь античности

Wilson’s "knack for detail" and "admirable grasp" of the interplay between politics and individuals make for an "entertainingly readable" experience.

A few reviewers noted that the book might have "grappled more fully" with the fact that these trends were often patchy or ambivalent in their consequences. One reviewer on Goodreads felt it was a "sensible" history but lacked a revolutionary new theory. Reader Perspectives

The narrative jumps rapidly across continents, covering everything from the Australian gold rushes and the Crimean War to the laying of the transatlantic telegraph cable .

Wilson argues that the 1850s—bookended by the and the start of the American Civil War —marked a "precipice in Time" where technology, migration, and trade created the first truly global age.

“This is an exciting read that I found hard to put down, except when reading further on these subjects. Simply superb!” Goodreads · 10 years ago

Rather than a book of abstract ideas, critics note it focuses on the material—gold, iron, telegraph wire, and even human hair—to illustrate how physical connections reshaped human relationships.

While Wilson captures the "giddy optimism" of the era, he is credited by Publishers Weekly for not glossing over the "dark side" of expansion, including colonial exploitation and ecological damage. Critical Consensus

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1. СКУЛЬПТУРА. Рим.
Статуя Ливии. Деталь.
Мрамор.
Кон. I в. до н. э. — нач. I в. н. э.
Боскореале, Антиквариум.
2. СКУЛЬПТУРА. Рим.
Женский портрет, ранее идентифицировавшийся как Ливия, жена Августа. (Лициния, дочь Красса Фруги?)
Гипсовый слепок. Оригинал: правление Клавдия (41—54 гг. н. э.).
Рим, Музей Римской культуры.
3. СКУЛЬПТУРА. Рим.
Панель с Теллус.
Мрамор.
13—9 гг. до н. э.
Рим, Музей Алтаря мира Августа (Ara Pacis Augustae).
4. СКУЛЬПТУРА. Рим.
Статуя сидящей Ливии.
Гипсовый слепок.
Оригинал: мрамор, 1-я четверть I в. н. э.
Рим, Музей Римской культуры.
5. СКУЛЬПТУРА. Рим.
Статуя Ливии. Деталь.
Мрамор.
Кон. I в. до н. э. — нач. I в. н. э.
Боскореале, Антиквариум.
6. СКУЛЬПТУРА. Рим.
Панель с Теллус. Деталь.
Мрамор.
13—9 гг. до н. э.
Рим, Музей Алтаря мира Августа (Ara Pacis Augustae).
7. СКУЛЬПТУРА. Рим.
Ливия, супруга Августа.
Пентелийский мрамор. Конец I в. до н. э. — начало I в. н. э.
Рим, Римский национальный музей, Крипта Бальби.
8. СКУЛЬПТУРА. Рим.
Ливия, супруга Августа.
Пентелийский мрамор. Конец I в. до н. э. — начало I в. н. э.
Рим, Римский национальный музей, Крипта Бальби.
9. СКУЛЬПТУРА. Рим.
Голова Ливии.
Мрамор. 20-е гг. I в. н. э.
Копенгаген, Новая Карлсбергская глиптотека.
10. СКУЛЬПТУРА. Рим.
Ливия.
Мрамор.
Копия 4 г. н. э. с оригинала 27—23 гг. до н. э.
Копенгаген, Новая Карлсбергская глиптотека.

Heyday: The 1850s And The Dawn Of | The Global Ag...

Wilson’s "knack for detail" and "admirable grasp" of the interplay between politics and individuals make for an "entertainingly readable" experience.

A few reviewers noted that the book might have "grappled more fully" with the fact that these trends were often patchy or ambivalent in their consequences. One reviewer on Goodreads felt it was a "sensible" history but lacked a revolutionary new theory. Reader Perspectives

The narrative jumps rapidly across continents, covering everything from the Australian gold rushes and the Crimean War to the laying of the transatlantic telegraph cable .

Wilson argues that the 1850s—bookended by the and the start of the American Civil War —marked a "precipice in Time" where technology, migration, and trade created the first truly global age.

“This is an exciting read that I found hard to put down, except when reading further on these subjects. Simply superb!” Goodreads · 10 years ago

Rather than a book of abstract ideas, critics note it focuses on the material—gold, iron, telegraph wire, and even human hair—to illustrate how physical connections reshaped human relationships.

While Wilson captures the "giddy optimism" of the era, he is credited by Publishers Weekly for not glossing over the "dark side" of expansion, including colonial exploitation and ecological damage. Critical Consensus

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