Amore E Rabbia (1969) Official

The film is divided into five distinct parts, each utilizing a unique visual language:

Directed by Carlo Lizzani , this opening piece (sometimes omitted in certain versions) focuses on a hit-and-run accident, acting as a grim prologue to the film's themes of social apathy. Key Themes 🧠 The anthology is tied together by several recurring motifs:

Directed by Bernardo Bertolucci , this surrealist piece depicts the dying moments of an old man surrounded by figures who represent different facets of his life and society, blending dreamlike imagery with existential dread. Amore e rabbia (1969)

It stands as a rare time-capsule where the "Big Three" of Italian cinema (Pasolini, Bertolucci, Bellocchio) worked alongside the leader of the French New Wave (Godard).

Directed by Pier Paolo Pasolini , this is perhaps the most famous segment. It follows a young man (Ninetto Davoli) walking through Rome with a giant red flower, blissfully unaware of the world's suffering and historical atrocities shown in superimposed newsreel footage. The film is divided into five distinct parts,

It is often cited as a difficult watch for mainstream audiences but remains essential for students of 1960s counter-culture cinema.

Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society. Directed by Pier Paolo Pasolini , this is

Directed by Jean-Luc Godard , this segment explores the impossibility of communication and love in a world dictated by ideology and political conflict, featuring two lovers on a rooftop.