For the Deaf and Hard of Hearing (SDH), Netflix guidelines require specific tagging, such as [in Cantonese] , to help viewers distinguish when a character is switching languages.
The creators, Jantje Friese and Baran bo Odar, designed the show so that characters speak their native languages (German, English, French, Spanish, Cantonese, etc.) to reflect the European migrant crisis and cultural authenticity. 1899 (2022) subtitles
The show’s CC has been praised for its evocative descriptions (e.g., "tense, unnerving music playing") and inclusion of background dialogue that provides subtle clues to the show's central mystery. 4. The "Dialogue Understandability" Framework For the Deaf and Hard of Hearing (SDH),
Subtitles in 1899 function as a "third dimension" of storytelling, creating a unique power dynamic where the audience often possesses more linguistic information than the protagonists. 2. Subtitles vs. Dubbing: The Preservation of Alienation Subtitles vs
The show prioritizes "being true to the cultures," rejecting the standard trope where everyone speaks English for convenience.